Showing posts with label exercise. Show all posts
Showing posts with label exercise. Show all posts

Wednesday, January 8, 2014

Dance...the Solution to Broken Resolutions!

As we begin a New Year, we are faced with the challenge of making the changes we promise ourselves. How many of the Top 10 Resolutions in this picture are on your list? How many have you tried to achieve for years and years, yet they always end up falling by the wayside? Here's some great news...there is ONE ACTIVITY that can help you achieve most of these goals! What is it? Why, it's DANCING, of course!

1) Exercise: We all vow to hit the gym more often, or run, or walk, or work out. But, then we get bored. Our motivation lags. We just can't face the thought of doing one more sit up or chest press. Dancing, on the other hand, is FUN! It's exercise without really feeling like exercise. It can be done at the studio, the night club, on the cruise ship, in your living room, really anywhere you like. It doesn't matter the time of day, the weather, or even if you don't have a partner. Dance is exercise made easy!!!

2) Quit Smoking: Ok, you might think it would be a stretch to equate learning to dance with helping you to quit smoking, but it really is a pretty easy relation. When is the last time you saw someone on the dance floor holding a cigarette in their hand? Smoking and dancing don't go together very well. There's the issue of stamina and needing healthy lungs, the fact that you can't even smoke in most places you would need to frequent to dance, it's not appealing to most partners to be up close and personal with an ashtray, not to mention you need both hands to dance! It's also a great way to keep busy and keep your mind off your cravings! See, that was easy!

3) Lose Weight: Even easier...not only does learning to dance give you a fun way to get exercise, but all the great group classes, parties, and events on the Arthur Murray calendar give you a great excuse to get up off the couch, put the remote down, and come out and do something physically active! Plus, you've got friends (and teachers) at the studio who will help keep you accountable and motivated!

4) Quit Drinking: Similar to smoking...when is the last time you saw someone dancing with a drink in their hand? If you want to dance, you have to have both hands free, which means less time standing around chatting and sipping, and more time on the dance floor! Dancers are in high demand and you will probably find that you don't even have time to stand in line at the bar and order a drink before the next guy or gal asks you for a dance! Plus, most dancers prefer to drink water while they are dancing! Why? It's better for you, gives you energy, and saves you money so you can take more lessons and learn more dances and go out more places! :)

5) Enjoy life more: Another easy one! Who wouldn't love to have a skill that would allow you to really get out there and enjoy every party, reunion, wedding, work event, cruise, social event that you attend? We all love music, and being able to dance to that music makes life so much more enjoyable. Plus, there's the great people you meet, giving you a fun social circle with lots of invites and activities, chances to dress up and go to the studio events, chances to travel, and so much more! I could go on and on for this one!

6) More Family Time: I'm going to edit this one slightly to say "More QUALITY Family Time". When you are stresses out as a parent or spouse, all too often we bring home that stress to our family. Stopping by the studio after work a few days a week can help release your stress from work and allow you to go home refreshed and happy to your family. That way, the time you are spending with them is better! The whole family can dance, too. If you don't have kids (well, even if you do), dancing is a great way to reconnect as husband and wife and steal a few moments of real together time a few times a week. This helps renew your relationship and keeps things exciting and fresh!

7) Get Out of Debt: Although there is an initial cost to learn to dance, think of it as an investment in yourself. Once you have mastered the skills you want, you have something that you can do anytime you want! Going out dancing can save you the astronomical costs of movies, shopping as retail therapy, spending money on more expensive hobbies that maybe don't fulfill you. And, as several of our students have said, dancing is cheaper than counseling...or divorce...

8) Learn Something New: well, not much for me to say here...self explanatory!

9) Help Others: Our organization is filled with dancers of all levels who started right where you are today. You will find that as you grow in your dancing, you will become one of those dancers and will help the new people feel included! Also, when you have the confidence to dance, you will be more likely to ask others to dance with you. Who knows, that wallflower you ask to dance next Friday night might be the next life you change!

10) Get Organized: You won't have a choice with all the activities that will start to show up on your social calendar once you learn to dance!!!

So, there you have it! Dancing is a great way to keep ALL of your Resolutions!
Call today, Dance tonight!

Dallas: 972-702-9660
Plano: 972-312-1262

or find a studio near you at: www.arthurmurray.com's Studio Locator!

Monday, December 2, 2013

Manager's Forum: Why do I need to learn Cuban Motion if I only want to be a social dancer?

In this week's Manager's Forum, we asked a very popular question that we hear from a lot of students! Why do I need to learn Cuban Motion if I only want to be a social dancer? Our managers at Arthur Murray Dallas and Plano gave us some great feedback! This should clear things up for you!

"Cuban motion in the simplest definition is traditionally “proper hip movement” ... Cuban Motion is what the body does naturally to maintain balance and control when shifting weight from one leg to the other." - Joe Donato

Let's hear from our female managers first:

Sarah: You need to learn Cuban Motion BECAUSE you want to be a social dancer! Well, wait. Maybe I should ask if you want to be the kind of social dancer that no one wants to dance with and that looks stiff and awkward trying to do a bunch of steps? OR if you want to be a well-rounded, fluid, fun-to-dance-with and can clearly feel and hear the music kind of social dancer? I am guessing you want the latter. 
Imagine this; You are walking in to get your relaxing full body massage, it's cold outside and you are very tense... You go into the room and you get on the table, ready to relax and feel a physiological change. Next thing you know, a clumsy, awkward and stiff metal robot walks in and a recording says, "I will be performing your full body massage today." The robot robotically dims the light and clunks over to you like C3PO and begins your massage... I have one word for that.... "YIKES!!" This is what NOT learning Cuban Motion does to your dancing and "YIKES!!" is the word everyone around you will be thinking when watching you dance "Socially".

Cuban Motion gives you a quality that can either help you FIT IN to the social crowd or if you'd like, you can "Wow!" people and stand out in a good way. In addition to all the logical reasons why we need Cuban Motion like stronger lead, sound style of dances, feel for the music and control/understanding of your body in movement, Dancing is a 'Human' thing. Dancing is NOT a Robotic thing. Dancing involves emotions, feeling, MUSIC, connection and communication with another person that has to constantly change and adjust to any and all outside influences... Rigidity will fail in these situations. Einstein said, "The measure of intelligence is the ability to change." Social dancers MUST be able to adjust.You can't predetermine who will be at the club, what songs they will play or what kinds of scenarios you may have to face on the dance floor. Flexibility in your body is necessary to be a great social dancer, a comfortable, strong, fun, "Human" social dancer. Like a lava lamp or a Volcano, you can be stubborn with your structure, your frame and your lead/follow, but when it comes to your body moving; Be infinitely FLEXIBLE and constantly AMAZED. 

Nikki: I get asked a lot why someone, especially men, need to learn Cuban Motion...  And while there is an aspect of "looking the part", the answer is actually much more simple.  It is the lead needed to communicate with your partner.  I'm speaking mostly to men, as many women are willing to let their body move naturally and so they are ok with body movement happening.

As men, there aren't many times in their life when they have had to move easily with motion, so there aren't many practice opportunities.  However, there ARE things in real life that will help everyone to understand why Cuban Motion is so important to the rhythm of dancing.  If you are on a sail boat, and need to walk from one end to the other, and you try to do it stiff legged, and without adjusting to the motion of the ocean, what happens?  IF you make it down the boat without falling over, it was a really rough ride, right?  Dancing is the same.  Using at least some Cuban Motion allows for a "smoother" ride along the dance floor.  And it allows your partner to have a good sense of what you are doing, and what you are going to do next, which allows THEM to have better time with you.  Now, do you need to learn competitive Cuban Motion?  No.  Only high competitors need that.  Everyone else will be just fine with an understanding of how to move their body easily, and then translate that into something their partner needs.  Your teacher will likely work on the concept of Cuban Motion quite a bit, maybe more then what you think you might need, but what they are really working on is your ability to move your body easily and freely.  And often, we need to exaggerate things in the beginning,  and then we can tone it down later.

Hang in there, Cuban Motion is necessary.  We promise.  And it isn't to turn you into a competitive dancer, it's to make YOU a better partner to everyone else!

And now the men:

Ian: Well, cuban motion is the whole reason they're called RHYTHM dances.  The body action used to make the dances recognizable is also what makes them both feel and look good. To look your most beautiful or feel your most studly on a dance floor, you need to look relaxed and fluid.  And let's be honest, no one ever watched a robot move, and said, "Hey, those moves are hot!".  And feeling good comes from feeling in control of your body so that you can relate how the music makes you feel and how much fun you're having to your partner without having to literally say, "Wow, this is so much fun" (said in that really awkward and nerdy voice only heard in movies).  Cuban motion isn't for competitive dancers only; it's for anyone who wants to look and feel great while they dance, both for themselves and for their partner. 

Justin: Cuban motion helps you look better AND feel better. It is definitely not one of the most natural things we do as dancers (at least not to start) but the more familiar we get, the more it helps it helps our dancing. In terms of how our dancing looks, cuban motion is what puts the body rhythm into our "rhythm dances."  It allows us to express the music through multiple layers in our body.  As we develop those layers, we'll look at how we use our feet, knees, hips and torso. It will eventually lead to more fluid movement, even though in the beginning it feels like even more to keep track of. When we start our rumba, for instance, the box step often feels choppy. As we add cuban motion, the dancing can feel like your teacher asked you to play twister while walking.  We promise, it will become less awkward and more connected, creating a better feel as we dance. It also will help the guys lead better, through clearer weight transfer.
All of this does require you to be patient- none of this happens overnight. Most of us didn't grow up doing cuban motion, and we don't walk through the grocery store doing it (most of us), so the limited practice means you need to cut yourself some slack. And unlike many other techniques that only have a couple layers, cuban motion has many layers. So you should expect to continue developing it for a long time- no rush, and no beating yourself up unnecessarily! Have fun with it, and you'll find cuban motion really does enhance your dancing!


Monday, November 18, 2013

Manager's Forum: Why is it so important to have a good frame?



This week, we asked the managers at Arthur Murray Dallas and Plano to tell us about the importance of a good frame. Here's what they said...

1) JustinFrame serves two purposes- communication and aesthetics. If you are dancing in an event, performing a show, or just want to be sure people enjoy watching you dance, your frame and topline are some of the first things people notice. Like your posture, your frame conveys confidence and experience. But when it comes to the social aspect of dancing, few things make more of a difference than leading and following. Your ability as the man to communicate where you're going and how fast you're going will put her at ease and put the energy back into having fun. As the lady, the better you can listen, the easier it is to follow, and your frame is your new set of ears. Rather than saying where and when, the frame is the way to non-verbally talk to each other on the floor, and that takes practice. But just like any other language, you'll become fluent by immersing yourself as much as possible. The more people you get to dance with, the parties and events you attend, all teach you how to adjust to each nuance of your partner. Be patient and diligent with your frame, and you'll be a master communicator in no time. 

2) SarahHaving a good frame is like having good pronunciation or the ability to speak all languages. The frame is how you communicate with your partner. Communication (physically) is the most important thing about dancing with another human being. Having a good frame promotes good connection which promotes amazing communication. And when the Lead is clear and the Follow is open, dancing is truly an amazing experience! 

3) NikkiI am sure that everyone knows the logic behind a good frame: it's the foundation to the dancing, you don't want the frame of a house to be unstable, etc.  But I don't know that many people think of how it relates to their partner...  And how it can ease the most common complaint, "He/she isn't Leading/Following!"

Most guys think that if they know all the steps, the girl will follow, and the dance will be great.  They spend SO much time making sure the steps are perfect, that they don't spend an appropriate amount of time working on trying to make sure that they communicate those steps.  Everyone grumbles when "the Rack" (the metal dance frame) makes an appearance, or if they are forced to dance with the lovely "Sue" (a Chair), but really, they are great tools to really understand what your frame is doing, or not doing...  Just because a guy knows his steps, doesn't mean that he is communicating them correctly.  His elbows may be sliding behind him, making the lady complain he is pulling on her, or maybe he is moving his frame independently of is body, making the lady feel like he is pushing her over.  Neither of these things makes a desirable dance partner.  I challenge ALL men to take "Sue" hold her up with her back away from you (so you can't cheat), and see if, as you are dancing, she changes position.  When you can do ALL your steps and routines with her in the correct position, you are ready to try things with a real live girl!  Of course, it's always an ongoing process, but at least it will make you more aware of what you are ACTUALLY leading when you try things out at a party.

Women - You aren't off the hook.  I hear all the time, "If he would just learn to lead, I can follow..."  Ok, that is true, but only up to a certain point.  Most women who say that aren't really that great at following, and they are the "Hangers" and "Fridges."  A women's frame is equally as important as a man's, and actually has to be MORE sensitive.  Otherwise she feels heavy and immovable.  Women, it isn't the man't job to hold up your arms, or your upper body.  By doing that, you are sending your energy straight down to the ground, and you aren't going to feel anything he sends your way.  (Plus it exaggerates that chicken wing/saggy skin look in your arms that we all hate!)  By the same token, your frame can't be so hard that man feels like he is in a pushing match.  If you feel like you are pushing against him and your back and arms hurt, that's WAY too much.  Dancing shouldn't be painful, no matter what we, as teachers, sometimes tell you! ;-)  Relax, hold up your hands, and just feel.

The frame is all about communication.  And in order to be a great partner, you have to be great at communicating...  On BOTH ends.  The man has to be clear about where he is wanting to go, and the lady has to be clear that she understood, and is willing to go on the journey with him.  Without both sides, you are just dancing NEAR each other, but not really WITH each other...

4) Ian: A good frame is one of the key components for everything that man is trying to get the woman to follow.  Without a good frame, the man can't effectively communicate how fast he is traveling and which direction he wants the lady to go, short of literally whispering to her under his breath (which I've seen many students try without much success).  You can't have a beautiful picture without a strong, solid frame to support it, just as it's very difficult for a woman to be fully shown off in the most beautiful way on the dance floor without a stong, solid man to support and lead her.

5) Amy: The frame in dancing is probably the most pivotal part of the partner relationship and the ability to communicate. The frame must be firm, yet forgiving, strong, yet subtle. It must communicate the nuances and respond to the slightest signal. It is how the dancers speak to each other. With a great frame, the dance will feel effortless, but without it...well, not so much. Here is the analogy I normally use when explaining frame. 

Have you ever been driving down the highway and seen the wonderfully frightening sight of a car being towed with a ROPE?!? This seems to be a common occurrence in Dallas. So, obviously, you have a leader car and a follower car. But, you have a wiggly, loose rope in between ("spaghetti arms" for the Dirty Dancing fans out there). So, if the lead car brakes suddenly, what happens? Well, unless the driver of the following car is really paying attention, probably a crash. What if the lead car accelerates suddenly? You can see the rope being pulled taught and then the following car feeling the "yank". This is what dancing with a poor frame can feel like. Pulling, pushing, yanking, trying to second guess ahead of time what the leader is going to do. All these things are uncomfortable and detrimental to an enjoyable dancing experience. Now, let's take another example, a car being towed with a nice, strong steel towing bar. Consider all of the same scenarios. You now have flawless communication. As one speeds or slows, so does the other. In fact, are you ready for this? You no longer even need a person in the following car at all. The person there (ladies, this is you) can just kick back and relax and trust that the frame will guide them. No need to keep a foot on the brake, no need to think ahead and try to read his mind. Just sit back, relax and enjoy. 

So, what this all means is that if you become a master of the frame, you will also become a master leader or follower, and everything else is secondary!  

Wednesday, July 25, 2012

A Variety of Solo Awards Announced from the Arthur Murray Kaleidoscope of Color Solo Showcase

There were so many GREAT routines, but these stood out for their originality, entertainment quality, and thorough themes! Our Solo Awards are:

1) BEST USE OF PROPS: David Thompson and Sally for "Little Red Corvette":

2) BEST COSTUME: Iris Goldberg and Ian for "Polka Dot Bikini":

3) BEST ACTRESS: Gillian Horowitz and Ian for "Live in Living Color":

4) BEST ACTOR: Michael Young and Esther for "Mr. White Keys":

5) MOST COMEDIC: Earle Cabansag and Gretchen for "Old and Grey":

6) MOST ENTERTAINING: Rodney Anderson and Lindsey for "Dancin' Machine":

7) BEST THROWBACK: Ceara Byrd and Nick for "Green Grass Grows All Around":

8) BEST STORY/THEME: Howard and Brenda Moyes for "Rainbow Connection":

9) MOST CREATIVE: Jeff Crump and Bailey for "La Pantera Rosa":

10) MOST MOVING: Melanie Brown and Justin for "Colorblind":

11) SEXIEST ROUTINE: Jeff and Sarah Schneck for "Little Red Riding Hood":

12) JUST PLAIN HOT: Gilbert and Leigh Ann Hernandez for "Goldfinger":

Congratulations to all our Special Award Recipients! Great job!

Top Solos from Arthur Murray Showcase Chosen to Perform at Upcoming White Hot Ball

We are pleased to announce that we have chosen 8 Solo routines from our recent "Kaleidoscope of Color" Showcase to perform their numbers again as the opening act for Decho and Bree at the upcoming White Hot Ball on August 18th, 2012. Students from the Arthur Murray Dance Studios in Dallas, Plano and Fort Worth came together in Grapevine, Texas at the Palace Arts Theater for this fun event. Here are the 8 routines chosen:

1) Steven King and Gretchen from Fort Worth dancing a Cha Cha to "Goldmember":

2) Kethry Tiggs and Nick from Fort Worth dancing a West Coast Swing to "Black & White in America":

3) Missy Farris and Nick from Fort Worth dancing a Jive to "Redhead or Brunette":

4) Nathan Higgins and Lindsey from Plano dancing a Quickstep to "Ballroom Glitz":

5) Stephen Morris and Stephanie from Fort Worth dancing a West Coast Swing to "Black or White":

6) Thomas Schloer and Stephanie from Fort Worth dancing a West Coast Swing to "Goldfinger/How Do You Like Me Now?":

7) Mistie Hughes and Antonio from Plano dancing a Bolero to "Yellow":

8) Melanie Brown and Justin from Dallas dancing a Rumba to "Colorblind":

You can check all the great routines at our YouTube Channel: Amdsplano

Friday, May 25, 2012

Beat the Heat with Ballroom Dance lessons in Dallas and Plano

Are you interested in taking dance lessons, or maybe know someone who is? Check out our studio! Dancing is a great indoor activity to keep you cool and in shape during the hot Texas summer! Arthur Murray Plano and Arthur Murray Dallas.


Contact our Dallas studio at 972-702-9660
Contact our Plano studio at 972-312-1262

Friday, April 27, 2012

Ballroom Dancers Waltz Their Way to Better Health - a great story via NPR


Ballroom Dancers Waltz to Healthier Hearts

Dancers in class
Allison Aubrey
Italian researchers found ballroom dancing is as effective as traditional cardiac rehabilitation in improving the health of people with heart trouble.
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December 14, 2006
For those who love it, ballroom dancing beats a dull workout on the treadmill. And now, cardiologists are also realizing just how powerful the dance workouts can be.
Italian researchers have found that just 21 minutes of dancing, three times a week, can match the cardiovascular benefits from working out on a treadmill or bicycle.
Instructor Chris Thompson says ballroom dance techniques work because they automatically emphasize good health.
"It's not only aerobic, it's [also] isometric," he says. "One of the most important things we stress is posture, posture, posture."
Thompson says the movement — which helps the arms, legs and torso — is also an instant stress reliever.
"You cannot maintain a clench when your shoulders are pressed down," he says. "Your arms are extended so it's a very freeing [and] open feeling. It makes you breath a little deeper and it gets the blood flowing."
The study finding is music to the ears of 61-year-old ballroom fanatic Bob Silva.
"I don't like to exercise," he says. "I hate it. But if I'm dancing, I don't care how tired I am. When I hear the music and see the women, I can just push myself and it feels wonderful."
After two years of dancing at the Dance Factory in Arlington, Va., Silva realized that his hobby was also improving his health. He lost weight that he wasn't able to lose before, and was able to cut his blood pressure medications in half.
One of Silva's younger dance partners, Anne Marie Lund, also found that dancing improved her once-sedentary lifestyle.
"I didn't have any physical endurance," she says. "I could barely make it though one song. And if I couldn't, I'd apologize to my partner and sit down and wait until I could get up again."
Lund says the dance studio has almost become her second home. It's that much fun, she says.
"I can't believe I fell into this just by accident," says Lund. "It's changed my life. That's a big statement. I was heading towards a lot of weight-related health problems, and I've turned that around."
Not everyone who tries ballroom dancing falls in love with it. But those who do find that exercise becomes a form of play.